“The recorded sound is beautiful. Mark Willsher has captured a true and natural quartet sound, and there is a real intimacy to the overall effect of the recording. Bravo."
- Barry Shiffman (Violinist, Director of Banff International String Quartet Competition & Festival)
Classical Recording Engineer | London, UK
Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production
“The Cypress Quartet's sheer instrumental mastery engages so seamlessly with the music's best intentions that touches, such as the cellist's brilliant way with the pizzicati in the third movement's Trio, would go almost unnoticed were it not for Mark Willsher's superlative recording made at Skywalker Sound.” — Gramophone Magazine
“On the recording, the orchestral and choral textures are subjected to refined engineering, the end result bearing sonorous clarity and attention to detail … Instrumental solos emerge from the fabric with pristine focus, and the orchestral tuttis unfold in gorgeously layered interlock.” — AIM - Adventures In Music
High-Resolution Classical Recording for Soloists, Chamber Ensembles & Orchestras
I am a Grammy®-winning classical recording engineer and mixer, specialising in high-resolution, acoustically detailed recordings for soloists, chamber ensembles, orchestras, and contemporary classical projects. My work appears on labels including Deutsche Grammophon, Nonesuch, Avie, Pentatone, EMI and Naxos, with artists such as The San Francisco Symphony, Esa-Pekka Salonen, The St. Lawrence String Quartet, The Cypress String Quartet, The Dover Quartet, The Turtle Island String Quartet, The Kronos Quartet, John Adams, Jennifer Higdon, Elena Ruehr, Garrick Ohlsson and Pierre-Laurent Aimard
Whether you need a traditional stereo recording, a modern immersive capture, or a hybrid production incorporating electronics, I provide a meticulous engineering approach shaped by decades of experience in world-class studios and concert halls.
Classical Recording Services
• High-Resolution Multitrack Recording
Orchestral, chamber, solo, and hybrid ensembles recorded in high-resolution with precision and clarity, using transparent signal paths.
• Studio & Location Recording
From concert halls and live venues to controlled studio environments, I adapt the recording approach to the acoustic and musical context.
• Producer-Focused Workflow
Collaborative session engineering supporting producers, conductors, composers, and artistic teams to achieve expressive, natural musical results that deliver the artistic vision.
• Immersive & Spatial Capture
Dolby Atmos and spatial/3D microphone techniques for classical releases, contemporary classical projects, and hybrid productions incorporating electronics, and amplification.
• Editing, Assembly & Post-Production
Multitrack editing, assembly, mixing, and mastering for album release, digital platforms, archival purposes, and broadcast.
Approach
My goal in classical engineering is to capture performances with depth, spatial dimension, and emotional immediacy - free from technical distraction, and true to the intent of the composer and performer. I combine proven classical recording techniques with modern immersive and hybrid workflows to create recordings that translate beautifully across all playback environments.