“We were on a tight deadline and Mark delivered a stunning job.
I was overjoyed with the result. His keen ear and enviable skill set took my music to a much higher level than I could have ever imagined.”

— Stephen Gallagher (Composer)

Immersive Audio & Dolby Atmos Mixing | London, U.K.

Grammy®-winning mixer delivering high-end Dolby Atmos/immersive music production

Whether recorded with a full orchestra, a hybrid ensemble, or created entirely with samples, I help bring your musical vision to life.

“I am very impressed with the level of professionalism and quality of work that Mark delivered. He was able to accommodate our needs and understand our expectations despite project complexity. Indeed, he contributed a lot to the success of our project.” - Ziyad Al Harbi (Composer)

“Working with Mark has been just great. Great communication and, something I felt was very important for this project, great imagination. - I'm not overly technical with my instructions, but Mark was able to quickly turn my ideas into reality. And the final mix is simply Top Quality.” - Tony Yetzer (Producer)

“Mark really shaped and controlled the sound of this project to be as impactful, clean, and effective. With a project that will be used exclusively for live sound he made so many accommodations and thought through how to make the project the most effective it cold be.” - Adam Wesley (Composer)

Black and white portrait of a woman with wavy hair, wearing a patterned shawl and looking directly at the camera.
Artwork for the Lord of the Rings: The War of the Rohirrim soundtrack featuring a warrior woman with red hair wielding a sword and shield, and a giant face of an older man with a crown in the background
Illustration of Ultraman, a superhero in a red and silver suit with a metallic helmet and glowing blue eyes, flying through space with a clenched fist. In the background are red and blue radial lines. There is a small purple and yellow bat-like creature with big eyes and a happy expression. Text reads 'Ultraman Rising' and 'Music by Scot Stafford'.
Concert poster for the San Francisco Symphony featuring Igor Stravinsky's 'Symphony in Three Movements'. Includes details of performer Esa-Pekka Salonen, music director, with abstract artwork of yellow and black streaks.
Blue, red, and gray abstract digital art with text promoting a concert featuring Bartók Piano Concertos by Pierre-Laurent Aimard, San Francisco Symphony, and Esa-Pekka Salonen.
Concert poster for San Francisco Symphony featuring Igor Stravinsky's 'The Firebird' conducted by Esa-Pekka Salonen.
Digital abstract artwork with text displaying 'San Francisco Symphony', 'Esa-Pekka Salonen Cello Concerto', 'Esa-Pekka Salonen Music Director', and 'Rainer Eudeikis Cello'.
Concert poster for San Francisco Symphony featuring digital abstract art of interconnected rose-colored 3D wireframe structures on a black background, with text including the concert title 'Pines of Rome' by Ottorino Respighi, conducted by Esa-Pekka Salonen, Music Director.

Immersive Mixing for Film, Classical & Hybrid Projects

I provide high-end Dolby Atmos and immersive audio mixing for film scores, classical recordings, and contemporary projects that benefit from enhanced spatial detail and emotional impact. My approach blends technical precision with a deep understanding of acoustic music, narrative, and sonic translation across formats.

Whether you need an Atmos master for a soundtrack release, an immersive classical mix, or full Atmos score stems prepared for the dub stage, I create spatial environments that remain clear, musical, and centered on listener experience.

What I Offer

Dolby Atmos Mixing

Immersive mixes for soundtrack albums, film scores, classical releases, and hybrid acoustic/electronic works.

  • ADM BWF deliverables

  • Streaming specifications for Apple, TIDAL, Amazon, and UMG

  • Spatial and binaural renderings for client review

  • Bed & Object-based workflows

Immersive Classical Mixing

Spatial mixes for orchestral, chamber, choral, solo, and contemporary classical projects. My classical background ensures Atmos versions remain true to the room, ensemble balance, and artistic intent - expanding the soundstage without compromising the music.

Film Score Atmos & Deliverables

Immersive score stems prepared for the dubbing stage, soundtrack albums, or streaming release.

  • Atmos-ready scoring stems (7.1.2 + objects as required)

  • Parallel stereo and immersive mixes

  • Session preparation for re-recording mixers

  • Atmos mixes designed to integrate cleanly with dialogue and effects

Spatial Audio for Hybrid & Contemporary Projects

Immersive production for electronic, hybrid orchestral, experimental, and cross-genre work, blending clarity, depth, and dimension.

Why Dolby Atmos?

Immersive audio allows listeners to experience music with greater spatial detail, and more importantly, a deeper emotional connection. For classical recordings, Atmos can recreate the sensation of being in the room with the ensemble. For film scores, it enhances clarity, scale and depth without overwhelming dialogue. For hybrid/electronic music, it opens new expressive possibilities. Atmos mixing for film and classical projects offers a level of immersion that stereo and traditional surround formats cannot achieve.

Atmos mixes translate across:

  • Home theatre systems

  • Headphones (binaural)

  • Laptops and mobile devices

  • Theatrical Presentations

My Approach

I mix immersive audio with a focus on musical expression, spatial expansion, and reliable translation across the variety of playback options available to consumers. My background in orchestral recording, acoustic music, and film scoring allows me to create mixes that honour the performance while enhancing spatial dimension and detail.

  • Hybrid analogue/digital workflow

  • Calibrated immersive environment

  • Accurate spatial imaging

  • Transparent signal paths

  • Collaborative, client-focused review process

  • Real-time remote playback sessions available in a wide variety of formats

Experience

My immersive work draws upon decades of experience mixing film scores, classical albums, and hybrid projects for major studios, labels, and international artists.

Deliverables

Atmos and immersive deliverables:

  • Masters meeting Dolby and UMG specifications

  • Multichannel Stems for re-recording mixers, providing flexibility without added complexity

Formats include:

  • ADM BWF

  • 9.1.6, 7.1.4, 7.1.2 stems as required

  • Binaural renderings

  • Apple Digital Masters (approved provider)

  • Sony 360 Reality Audio

Remote Atmos Mixing

Immersive mixing can be completed entirely remotely. Clients receive:

  • Work-in-progress renders

  • Stereo references

  • Binaural Atmos previews in both Dolby and Apple Spatial renderings

  • Picture-synced real-time sessions if needed

Work With Me

If you’d like to discuss a project, request a quote, or start an Atmos mix, please get in touch.